News

  • August 8th, 2018
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    Client: Walmart

    Location: Los Angeles, CA

    Length of Shoot: A number of days

    I split a family vacation to Colorado in half to visit Los Angeles to collaborate with a talented production company and crew on still and motion assets for Walmart. We timed the production to coincide with record breaking heat. It was 113 degrees when I landed in LA. Wow. After we decided which light meter to use, things went pretty smoothly.

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  • July 7th, 2018
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    Client: Uber

    Location: San Francisco, Gilroy, San Francisco, CA

    Length of Shoot: 2 (LONG) Days

    We shot Uber's Summer 2018 "Move Forward" OOH campaign over 48 hours or so in Northern California. Let's just say that temperatures varied greatly from location to location. It took one of the all time best crews from Client to Producer to Props to Wardrobe to Makeup to Talent to Assistants to Drivers to Amusement Park Management to SFPD to make it happen. The successful production wrapped day two, on time, at 4AM. Only casualty: one dead grip truck battery.

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  • June 20th, 2018
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    The NBA's Secret Addiction from ESPN magazine in the Communication Arts 2018 Photography Annual

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  • June 5th, 2018
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    Client: june

    Location: Orinda and San Francisco, CA

    Length of Shoot: 2 Days

    We spent two enjoyable days with a great client creating assets for the launch of June's new oven. Despite being so sick I could only whisper, thanks to a fantastic crew, everything went swimmingly. I will never drink peppermint tea again.

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  • May 25th, 2018
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    Client: Peet's Coffee

    Location: San Francisco, CA

    Length of Shoot: 2 Days

    Earlier this spring we enjoyed helping create Peet's Coffee Summer Campaign 2018. The resulting still and motion assets are being utilized for OOH, Retail and web. It makes for some fun electronic billboard spotting while being stuck in Bay Area traffic. The motion assets are also being utilized for projected "billboards" on the sides of buildings in San Francisco. Below is the only known video of said projected "billboard".

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  • May 10th, 2018
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    If you find yourself in Roubaix, France between now and July 08, check out the gallery show La Condition Publique. Cool to see an image we shot for The New York Times Magazine at large scale. 

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  • May 6th, 2018
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    It's always rewarding to see the personal work get some recognition. This year, our work is in PDN's Photo Annual in both the Personal / Website and Advertising categories.

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  • April 30th, 2018
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    Client: Color Genomics

    Location: San Francisco, CA

    Length of Shoot: 2 Days

    Color Genomics has developed an at home test that tests for cancer. Their innovative test also identifies serious hereditary conditions such as high cholesterol giving patients a better idea of their chances of falling ill in the future. We made it pretty for Color and Brian came back for his plant.

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  • April 15th, 2018
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    Client: ESPN The Magazine

    Location: San Francisco, CA

    Length of Shoot: 2 Days

    Recently we created a set of still and motion assets to illustrate another story by Baxter Holmes for ESPN The Magazine. Fresh off a James Beard award for last year's PBJ story, Baxter turns his attention to wine. The NBA's Secret Wine Society exposes the new love affair between NBA stars and the gilded grape. Our production had a great crew, a magic table, solid dolly work, one failed concept, shockingly few behind the scenes photos, and some really great wine.

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  • February 15th, 2018
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    Client: SoFi

    Location: San Francisco, CA

    Length of Shoot: Approximately 20 hours.

    We worked with Dustin D Smith to create a 4 minute motion piece for SoFi. The amazing illustrator Emilie Rudd knocked it out of the park for nearly 20 hours. I have no idea why 20 hour shoots aren't more en vogue these days. #yetanothercardelliniclampappearance

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  • January 21st, 2018
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    Client: New York Magazine

    Location: San Francisco, CA

    Length of Shoot: 1 Day

    We spent an inspiring day working with the great J. Kenji-Lopez Alt. Thanks to Jaimi Holker for filling the studio with sausage and covering it all with paper towels. No shoot would be complete without at least one appearance of a cardellini clamp.

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  • January 10th, 2018
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    Subject: Annual Holiday Print

    Location: Truckee, CA

    Length of Shoot: 1 Day

    Each year the studio sends out a holiday print to clients. This year's subject was a tree I've had my eye on for quite some time. A dusting of snow, a pre-dawn hike and one speeding ticket later... -  -  -  -

  • December 15th, 2017
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    Client: WIRED Magazine

    Location: San Francisco

    Length of Shoot: 1 Day

    Breaking down the year's new ski equipment with WIRED Magazine. Successful use of the classic cardellini clamp / ski boot combo.

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  • December 1st, 2017
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    Agency: Manual Creative

    Location: San Francisco

    Length of Shoot: 1 Day

    Got our moody knoll on with our good friends at Manual Creative.

  • November 20th, 2017
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    Scoping out progress on San Francisco's McLaren Bike Park with Dustin D Smith.

  • November 15th, 2017
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    New Work: Ever wonder what happens inside a boiling pot of water? We did too.

  • November 13th, 2017
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    Agency: Elephant

    Location: Brooklyn

    Length of Shoot: 2 Days

    Two days, ten scenes for Xfinity showing off the Xfi app's various capabilities. Great production crew, birthday donuts, Arri Skypanels, sleepy dog and a very cold Brooklyn.

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  • October 31st, 2017
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    Client: Square

    Location: Eschliman Studio

    Subject: Square Register

    Length of Shoot: 5 Days

    It's great to see Square's new register out in the world. Such great product design.

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  • September 13th, 2017
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    Subject: Bike Portraits

    Location: Rapha Chicago Clubhouse

    Length of Shoot: 1 Afternoon

    Another shoot in collaboration with Rapha, this time in Chicago. Bikes, Donuts, Midwestern hospitality and beer. All in a day's work.

     

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  • September 1st, 2017
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    Three day weekend in our sights