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November 20th, 2020
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Location: Eschliman Studio, San Francisco
Length of Shoot: One pre-light, 2 days, 5 hours of OT
On the surface it didn’t appear to be the case, but practically speaking, the fourth set of animations for Sephora was the most ambitious. Being a music lover, I think the set design was the strongest so far. We employed a traditional approach to animating each frame but had some interesting challenges to tackle along the way. Like the turntable we were animating, our heads were spinning a bit at the end.
